Showing posts with label strobist. Show all posts
Showing posts with label strobist. Show all posts

Sunday, August 14, 2011

Hirosaki’s Neputa Matsuri

Because I decided on my trip just over a month before the summer festivals, I ended up staying at Hirosaki (弘前) town, even though my main purpose was to attend the Aomori Nebuta Matsuri (青森ねぶた祭り).  All the Aomori hotel rooms on Rakuten Travel were fully booked by the time I checked!

Well in any case, since we were in Hirosaki, I thought I might as well visit the local Neputa matsuri (ねぷた祭り), which started on Aug 1, the day we arrived there.

While it was of a much smaller scale than its neighbouring town’s event, I was very happy to have been a part of the Neputa because it was 1) a good chance to test the exposure settings for my F6 (important as film is so expensive!) and 2) to see how a float-based matsuri like the Nebuta flows.

 
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Local youths running on the street with their float. As part of their manoeuvres, some of the carriers would raise up their floats, run towards the audience, and stop just in the nick of time, a step or two in front of the seated audience. This I believe to show their strength in manoeuvring their heavy loads. (Nikon F6 with AFS 24/1.4, Fujifilm Natura 1600 film)

 

Saturday, May 28, 2011

Hello, Pinkberry!

It’s always difficult choosing a birthday present, and for the girlfriend it can be doubly hard, especially when you want to top your effort in the previous year.

Since Joanne’s two-year-old Samsung smartphone was dying on her, a mobile phone seemed like a good choice. After a somewhat extensive survey of the phones that come with keyboards (getting rarer by the day), I settled on the Blackberry Torch.

 
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Is that a Blackberry?

 

More after the jump…

Wednesday, February 9, 2011

Gone Bananas

Yes, because I took two days of medical leave for the first time since I started working in June 2009.

Ok, but that’s not the point of the post. Falling sick (viral cough,  doctor says) gave me some time to write this post as I’m supposed to stay home and rest.

In keeping with the festive theme of the previous post, I’m talking about bananas and good fortune for the Chinese. Singaporean Chinese, at least, because I do not know if the same applies to other Hokkien-speaking Chinese elsewhere in the world, such as those in China’s Fujian province or in Taiwan.

Anyway, my mother bought a bunch of small bananas and hung them at our kitchen window for Chinese New Year. That’s uncharacteristic because our family prefer eat only the bigger varieties such as those from Del Monte, so I asked her why she bought them...

 
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Why are you hanging at my window, Mr Banana?

 

“You mean you don’t know? Hokkiens believe bananas bring good fortune. Gim jiou! Gim jiou! Kuai dian zhao, kuai dian zhao!” she replied enthusiastically. (My mum is Cantonese though)

Gim jiou is Hokkien for banana, which is read the same way as “bringing in gold”. The latter bit, in Mandarin, means to hurry up and bring in (the gold). There was something about the way my mother said it that made me and my sister burst out laughing, but I guess that explains why some Chinese in Singapore hang banana-themed ornaments in their cars and houses.

Hmmm maybe that’s part of the reason why I had a relatively good Year of the Tiger. Work-wise I had the chance to go to Pakistan and Japan for work assignments, and also got a chance to write my first opinion piece. And last month, I got promoted and collected my first proper bonus (along with the rest of the company, of course). As for my personal life, I met Joanne and so far had some wonderful times with her both here and on our overseas vacations (three so far, and much more to look forward to this year). To Joanne’s sisters: nope, I really didn’t have to sell my organs to pay for the trips so far. Haha.

You see, I’d bought a new watch last June as a birthday present to myself, from a shop in Ion shopping mall in Orchard Road:

 
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I call it my “banana watch”, and I wear it every time I go out. The design is apparently based on a famous banana painting done by the father of pop art.

 

From what I understand, the painting was featured on a legendary rock album by Velvet Underground, and that was probably part of the reason why it became so famous.

While I would have loved to get a Jaeger LeCoultre from a luxury watch shop, I figured it was not the right time yet and settled for something slightly cheaper. Actually I was attracted initially to another Andy Warhol watch at the same shop in Ion but settled on the simple but elegant design of the banana watch. I also like it that it’s quite thin and light, which makes it less uncomfortable to wear throughout the day. Get it here if you want! (Please don’t wear it when you meet me though, it’ll be awkward.)

 
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Oh hey, there is a banana on the watch dial too!

 

Yes, yes, this is all superstitious nonsense, you may say. I’d be a fool to count on my watch for good luck too, but every little bit helps, I suppose? :)

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PS: I’d discovered a good Hokkien online dictionary as I was confirming the Hokkien pun, since I know only a little of my dialect. For those who are keen to become Hokkien experts, click here.

Thursday, February 3, 2011

Happy Lunar New Year

To all my Chinese readers (I’m guessing there’re at least a couple), Happy Lunar New Year! I wish you and your loved ones all good health and prosperity in the year of the Rabbit. May you advance in the workplace or in your studies, and overcome all the troubles that may come your way. (And I hope you will continue reading my blog too, and let me know if you do!)

Actually I haven’t had the habit of making festive greetings on my blog, but a comment a friend made about Chinese New Year recently got me thinking, and I would like to share my thoughts here.

 

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My reunion dinner is taken at home with my family every year. We usually have steamboat, with a variety of simple but delicious items. Let me share with you what we have this year. Here, we have tofu, crabsticks and cocktail sausages.

 

Basically, my friend made the comment the other day on Facebook, saying that he felt embarrassed when he explained the various Chinese New Year greetings to his foreign friends. I was actually quite perplexed by that comment, and asked for some examples. I didn’t quite agree with what he said though!

 

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Chicken, pork and pork liver! Liver always look a little bloody, but I love the texture.

 

To the uninitiated, many CNY greetings revolve around wishing people good luck and prosperity. The most common 恭喜发财 (gong xi fa cai) means literally congratulations for getting rich. 心想事成,万事如意 (xin xiang shi cheng, wan shi ru yi) means to get what one wishes for; the often punned upon 年年有余 (nian nian you yu) means to have surpluses every year, with the pun on 鱼 (yu), or fish. 金玉满堂 (jin yu man tang) means to have a house full of gold and jade, which means a house of wealth. 福星高照 (fu xing gao zhao) means to have the god of fortune shine on you.

 

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Yummy and healthy greens and mushrooms. Golden mushrooms, or enoki, is probably my favourite mushroom for steamboats, as they absorb the soup and maintain their crunchiness.

 

Not all of the greetings directly has to do with luck and money, of course. For working adults who are more junior than us, we wish them 步步高升 (bu bu gao sheng), or to rise up step by step. We wish students 学业进步 (xue ye jin bu) or to advance in one’s studies.  Of course, if any one really wishes to advance in the workplace or in one’s studies, one has to put in hard work. But we wish that their efforts pay off.

 

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Fish and squid. So that we can have surpluses (余) – a pun on 鱼, or fish – every year.

 

As you can see, many of these greetings basically express goodwill towards others. We wish the best for others; they wish the same for us. While in Chinese we have a term for this – 礼尚往来 (li shang wang lai), which means to reciprocate courtesy – but I believe it’s very much a universal thing. During the CNY period, which is the most important celebration of the year, naturally we amplify the goodwill we express to others. Everyone wants a good year, and by wishing others the best, we ultimately also wish the best for ourselves.

 

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All balls: plain ones made of fish paste, those with mushroom bits added in, chicken balls, cuttlefish balls… Always a delight to have, they add colour and shapes to the steamboat concoction, and cook extremely quickly as well. Kids love them.

 

Well, that’s it from me. Many of our Chinese traditions are slowly dying out in modern society. And soon I can foresee that Western traditions and festivals will dominate, if they haven’t already. That is sad, because there is very little to define what a Singaporean is to begin with. The erosion of what makes the Chinese here Chinese, seems to be an erosion of part of what makes Singapore unique – our racial/ethnical fabric. There is some revival of interest in Chinese language and culture now, but that is purely driven by commercial interest in the economic juggernaut of China. But I shall not be too pessimistic.

 

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Steamboat is incomplete, however, without my favourite – prawns. Nothing like shelled prawns cooked in soup. This retains the natural sweetness and juiciness of the prawn – the way prawn should be enjoyed. (The de-shelled ones were prepared for my sis, who doesn’t like peeling them)

 

Actually I have a distaste for Western traditions because they are mostly heavily commercialised. Christmas,  Valentine’s Day, Thanks-giving, Halloween, etc… While they are interesting to celebrate they mean absolutely nothing to me. (No offense to Christians intended. I fully understand Christmas’ importance to you, you probably have to admit it is dominated by commercialism in many places these days.)

It’s also somewhat telling that most popular images of these traditions/festivals are about wild partying, getting drunk and shopping. I’ll take exchanging mandarin oranges and saying happy and fluffy things to family and loved ones any day.

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On a separate note…

Lunar New Year has never truly had any special meaning for me. In fact, for the longest time my feelings towards it had been more negative.

It definitely has got to do with my family background. Because of my father’s irresponsible ways, we were more or less cut off from both sides of the extended family through my formative years. So instead of visiting relatives and family friends like most of my peers do, I usually just stayed at home throughout the two- or three-day holiday. Of course this wasn’t a problem in itself, but when I went back to school the following day, people would be talking about what they did during the holidays, how many red packets they had received and perhaps more critical to teenagers like I was then, how much was the haul for the year. (Coming from a top secondary school when most people came from well-to-do families, the sums naturally were quite significant.)

Things have changed since he died about 8 years ago. We have renewed contact with the extended family, and I do join my relatives for CNY gatherings these days. I guess that restores some “normality” to my CNY’s.

Now that I think about it, missing out on CNY in the past have probably contributed to my reclusive nature.

Thursday, July 29, 2010

Mozaic Bali

A couple of weeks back, I headed to touristy Bali with Joanne for a short but memorable getaway. It was our first couple trip and it had to be special.

So our choice of abode: The Alila Ubud. Located up in the highlands of Ubud and perched on the beautiful Ayung River Valley, staying at the Alila was truly a lap of luxury. Stunning infinity pool, perfect weather and impeccable service ("Hello Mr Lin!")... We only wished we could stay another night. In fact we nearly did.

But anyway a great trip, for me, isn't complete without good food. On our first night, we went to a French restaurant, the Mozaic Ubud, said to be one of the finest restaurants on the island. 

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The Lounge, where we ordered our choice of courses and had our apertifs.

I had the Chef's Tasting Menu, while Joanne had the Discovery Menu, which emphasised more on local tastes. Both were 8-course menus. The other two options were a vegetarian menu and a chef's choice menu, where the chef will customise the meal based on your preferences.

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A little snack to go with my cappucino-tini.
© Lin Zhaowei, 2010.

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The Amuse Bouche
© Lin Zhaowei, 2010.

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Brown rice bread and beansprouts bread were served with salted butter. I love bread and this was really good. The butter was especially delicious.
© Lin Zhaowei, 2010. 

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Langoustine tails in a citrus ceviche (Sturia caviar, vodka cream, micro coriander & wild lemon peppers)
© Lin Zhaowei, 2010. 

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Pan seared Tasmanian salmon fillet (in a pinot noir glaze, sauteed wild mushroom & ginger aromatic)
© Lin Zhaowei, 2010. 

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Baked rabbit and foie gras pastilla (slow confied rabbit, apple ginger puree & calvados gastrique)
© Lin Zhaowei, 2010.

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Victoria rack of lamb (braised endive's, peaches & Guiness beer emulsion in a jasmine-balsamic coulis)
© Lin Zhaowei, 2010.  

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Valrhona "Guanaja" Chocolate Mousse (Kaffir lime, cilantro & green pepper corn gelee in a Sechuan-wine reduction)
© Lin Zhaowei, 2010. 

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Petits Fours
© Lin Zhaowei, 2010. 

There was also the Ginger flower sorbet (organic strawberries, aromatic lime leaf & black rice tuile) served after the rack of lamb, which I didn't manage to get a good shot of. My flash actually ran out of battery after the rack of lamb, and you can probably tell from the pictures. 

All the courses were excellent, but my dish of the night had to be the rack of lamb. I had it medium well, and the texture and taste were just the way I like it. Succulent but yet firm. And the accompanying potato puree (which also came with Joanne's course) was heavenly. 

But at the end of the day, it was the company that made it a memorable meal. Joanne and I both loved the place and I don't think we'll have any qualms about going back again when we drop by Ubud again. 

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© Lin Zhaowei, 2010. 

More to come...

Saturday, May 1, 2010

Singapore Young Photographer Awards 2010

This year is my first and last chance to take part in the SYPA, a biannual photography competition for those below 25. With my birthday in June, I was eligible to take part. Phew.

I had to submit 6 pictures from at least 4 genres (from a list of 8) for the competition. After spending days looking through my archives, I settled on pictures from 6 different genres. My main consideration was the need to showcase the breadth of my photography. 

Here goes: 

08.07.25l - The long way down (6)
"Into the clouds"
Mount Fuji, Japan (Nature)
© Lin Zhaowei, 2008.

08.08.04m - Kitahama Station (1)
"Kitahama Station"
Hokkaido, Japan (Architecture/Buildings)
© Lin Zhaowei, 2008.

09.09.06 - Deyang (66)
"Eating my orange"
Deyang, China (Children at play)
© Lin Zhaowei, 2009.

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"Lift!"
Ang Mo Kio, Singapore (People at work)
© Lin Zhaowei, 2009.

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"Cloud nine"
Zouk, Singapore (Night scene)
© Lin Zhaowei, 2010.
 
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"Jump! Rocker!"
Bukit Timah, Singapore (Portrait)
© Lin Zhaowei, 2010.

It was a mad rush to submit the photos in the end, as I only knew about it when a friend told me about two weeks before the deadline. Selection was the toughest part though.

Just hoping for the best now...

Tuesday, November 24, 2009

A brief respite

Apec leaders' week is over. Remedial training is over. The year is almost over. And I'm on course for a couple of days...

09.10 - Guilin Roll 4 (09)
Let sleeping dogs lie... © Lin Zhaowei, 2009.

Btw the course is called PhotoReading, but it's nothing to do with reading photos. It's a photographic reading technique that I hope works. Because it promises up to a whopping 25,000 words a minute. I could use some of that.


Monday, September 28, 2009

Double exposure fun

I first read about how to use lighting with double exposures in Joe McNally's excellent book, The Hot Shoe Diaries, and had been wanting to try something out ever since. Unfortunately, my D40X doesn't have the function -- only models D90 and above have it.

Fortunately, Joan has a D90, and one day in August, we decided to just try the function. Here's a test shot.

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Ok don't puke, it was just for fun. © Lin Zhaowei, 2009.

So a couple of weeks ago, when Joan had some good friends over for a sushi dinner, we thought it might be fun to try it out with everyone. Here are a couple of the pictures we managed to take, using just one SB800 as lighting.

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Love rectangle. © Lin Zhaowei, 2009.

09.09.11d - Seeing double (9)
Give me the money... © Lin Zhaowei, 2009.

When Joan's friend Daniel suggested doing a "family portrait", I realised my folly of not bringing my SB900. But well, we always do our best and the end result wasn't too bad! But I had to cheat here -- as I wasn't behind the camera, it wasn't possible to do a double exposure and prevent any overlapping. So two exposures were taken and layered in GIMP. (I can't afford Photoshop)

09.09.11d - Seeing double (17)
We had 12 guests and two hosts at the party. © Lin Zhaowei, 2009.

Anyway I think GIMP is quite feature-packed, though it would take quite a bit of getting used to for the Photoshop user. Took me a while to figure out how to do masking, which was needed to black out some parts of the picture. But it works and it's free, and I'm really quite impressed. Just wondering why they don't have a "hand" function like PS tho... It's not that comfortable moving around the image using the scroll wheel...

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Note: There is however, a very useful Image Overlay function in the D40X, which is found in all recent Nikon consumer DSLR models. It is a sort of built-in HDR function that lets you put two images over each other. It is how, for example, I created this following image a few weeks ago, when I was in Beijing:

09.08.31 - Qianmen to Wangfujing (25)
Tiananmen at night. © Lin Zhaowei, 2009.

Those of you who have taken pictures of a scene with a moon will know that the moon is very bright -- on a camera sensor, at least -- so when you expose such a scene, the moon will always be blown out. Hence the workaround, and it works fabulously for me!

Monday, September 21, 2009

Skate-Scooting Strobist

I had been wanting to take part in the Strobist.com Boot Camp II, but the themes to the first three assignments weren't easy for me to do. So when the last assignment (ie. my last chance) came and the theme was declared to be transportation, boy was I excited! I mean, I can possibly come up with something...

So while stoning during one of my recent remedial training (RT) sessions, I decided to actually think about what to shoot (instead of what to buy) for once, and came up with a couple of rough ideas. A phone conversation with Joan that night yielded the final idea.

Location: concrete tubes found near her home.
Photographer: Joan.
Lighting man: Me.
Model: Me???

And the transportation? A skate-scooter! I'd always wanted to try riding on one when they were all the rage many years ago, but never did. Here's my chance! (Ok, the truth is, we don't have a car, truck, bike, or any other mode of transport between us. Heck, even the skate-scooter was borrowed from a primary school student learning the piano from Joan)

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Pondering over how to pose for the shoot... © Lin Zhaowei, 2009.

Anyway the day of the shoot-- Sep 20 -- finally came. It was fortunate that RT was cancelled on this day, due to the Hari Raya holidays. And when night fell, we moved out from our HQ (Joan's place) to the location.

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The tubes, which were lying on a grass patch next to a canal for reasons unknown, made for a superb location, esp. with the right lighting. © Lin Zhaowei, 2009.

We have two lights between us: an SB900 and an SB800. Since the SB800 is more powerful, I used it as the light in the distant set at full power (manual). This serves to create a sense of depth in the photo. The SB900, mounted on my Gorillapod on a metal beam that ran across the opening of the tube, behind the camera, bounced off the ceiling of the tube with the built-in bounce card up to illuminate the model (me). I used TTL for convenience.

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Setting up the light. © Lin Zhaowei, 2009.

We used Joan's D90, and originally planned to use the Tokina 12-24 f4. However, turned out that it wasn't wide enough, and thank goodness I'd brought the 10.5mm fisheye along! The shot was taken from a very low angle. And we used a very high ISO (3200 to 6400) so as to make the distant light brighter.

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The first variation, with the SB800 closer to me. © Lin Zhaowei, 2009.

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The final shot from the second variation, with the SB800 further away. I submitted this to the Strobist pool. © Lin Zhaowei, 2009.

As you can see I had a lot of fun with the shoot. Haha! And I am quite happy with the final product too.

Don't think I stand a good chance of winning, but I guess I can always hope for an honourary mention on the strobist blog...

Edit: Just an extra note, this was another instance when the fisheye saved the day... It's seldom used (maybe once in a month at best) but there are situations when nothing else can do the job, simply because it's so darn wide.

I think I will never think of selling it again to fund my impending camera body upgrade!

Monday, August 3, 2009

Lighting up the Puchi Puchi

I wrote my first post for the ST Blog today, and to go with the article, I took three pictures of my Mugen Puchi Puchi toy. (You can find the ST Blog entry here.) This is just a quick note on how I lit up the photos.

All were taken from a top-down perspective with the AF-S 60mm micro at f11, 1/100s, ISO100 and with the SB900 off camera, controlled by the SU800. The items were placed on a black acrylic board on the floor.

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#1

Puchi2
#2

Photos #1 and #2 were lit up in the same way. Very simple, the SB900, with diffuser on was positioned to the top right of the frame, propped on a small stool and pointing to the bottom left of the frame, parallel to the floor. I placed a white sheet of paper at the bottom left as a reflector. (Note that I didn't submit #2 for the article.)

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#3

Photo #3 was much harder to light up. The problem is trying to light up the bubble wrap evenly. My first attempts were dismal -- the top right area was too "hot", while there was too much falloff at the bottom left corner. Eventually, I got the shot by moving my SB900 further away from the subject, increasing the flash EV compensation, and used a sheet of white paper to diffuse it instead of the diffuser cap.

The main reflector remained but I propped up a white namecard below the Puchi Puchi to reduce the shadows there further.

It was my first time doing a product shot, and I suspect it could have been done better. But at least my makeshift setup worked this time round.

Maybe I'll try lighting up the Mugen Can Beer if I get it and post it here...

Saturday, August 1, 2009

An adventure in Bollywood...

Bollywood Veggies, that is.

I was on leave from work two Fridays ago (July 24), and Joan suggested going to a farm for a breath of fresh air. (We all know how small Singapore is) She'd learnt about the farm through a friend, so off we went, on a early Friday morning into the Singapore countryside.

There is a free shuttle bus service that runs from Kranji MRT to the various farms in the Kranji cluster, but here's the catch: it runs every 1.5 hours only. We made it on the first bus at 9am just by a whisker, and got to the farm at around... 10am? (can't quite remember, too lazy to check) The bus driver was a man called Larry, and he was quite chatty, introducing the Kranji farms to us during the ride.

The owner, Ivy Singh, was a very interesting person to talk to. As we were eating our breakfast at the cafe (we were the first visitors that day), she told us of the farm's struggles to get started, her brushes with the law (she was due to appear in court the following week for some complaint filed against her by a gov agency) and how Joan and I have the same type of smile (lol). Then work came in the form of a group visit and she left us to explore the farm on our own.

Here are three of my favourite shots:


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f16, 1/100s, ISO400. © Lin Zhaowei, 2009.

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f11, 1/60s, ISO100. © Lin Zhaowei, 2009.

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f5.6, 1/320s, ISO400. © Lin Zhaowei, 2009.


All taken with my trusty 60mm. The first two shots were taken with an SB900 to camera left. The third was taken with natural light. No tripod, so a relatively compact flash unit is your best friend in such a situation.

After a short 1hour-plus jaunt around, we sat down for lunch at the farm cafe (there were a few other diners around, surprisingly!). Had banana curry, bamboo leaves and papaya salad with brown rice. Nothing too fanciful but it was probably the healthiest meal I had in a while.

Saturday, May 23, 2009

Grad Trip - Photo of the Day 20

May 11, a day of mixed fortunes. After lunch, I headed down to Amalfi, where I caught my bus to Positano. Unfortunately, I couldn't communicate my destination to the bus driver and got off at the wrong stop. Turns out that there are two stops in Positano, one very near my hostel, and one very far from it. Positano, anyway, is known as the most beautiful town in the Amalfi coast and I'll agree. But it's hardly the best place to take a walk around -- the roads are long, winding and very slopy. The secret to getting around is to find the secret stairs that run through the town, just that a newcomer like me wouldn't have known about them. The map is useless too, because the terrain is too hilly to make any sense out of it. A shot I took along the way:

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You can tell the views were breath-taking, but I was already a little short of breath hauling my pack up the hill.

Somehow I made it to my hostel and soon after, in came three Spanish ladies who'd checked in for the night. And they invited me to join them on a motor boat that they were going to rent at the beach. How can I say 'no' to that? Haha. Anyway the sunlight was beautiful that evening, and I put my gear to some use that evening:

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But my favourite has to be this one:

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© Lin Zhaowei, 2009.

All the while I was a little worried that the boat will capsize, since ALL my camera equipment was with me, but we were lucky. Thanks to Ana, Alicia and Alejandro for the wonderful evening!

And that night, I saw a red moon for the first time ever. A slight pity that I deleted the pictures by accident, but they didn't do justice to the beauty of the view anyway. And to anyone interested to staying in Positano on the cheap, Hostel Brikette is where you want to be.